Here are my own scans from the August 18-26, 2011 issue of Entertainment Weekly magazine:
Starring Kate Winslet, Jodie Foster, Christoph Waltz, John C. Reilly
Directed by Roman Polanski, Not yet ratedKate Winslet loved the riotously funny 2009 Broadwayproduction of God of Carnage so much (”I actually peed my pants, and not just once,” she says) that she joined Jodie Foster, Christoph Waltz, and John C. Reilly for the film adaptation of Yasmina Reza’s Tony-winning play. They star as two sets of Brooklyn parents who try — and fail — to be civil to one another after their tween sons get into a playground fight. (Release date TBA) —DKhttp://www.ew.com/ew/gallery/0,,20515177,00.html#20998529****French Poster & More New Images From Roman Polanski’s ‘Carnage’
Alexandre Desplat Replaces Alberto Iglesias As Film’s Composer
While it may seem like heavier fare, “God Of Carnage,” the Tony-winning play by by Yasmina Reza which Roman Polanski‘s”Carnage” is based on, is actually a comedy first, with some dramatic elements dashed in. In fact, one of the film’s stars, Kate Winslet, recently revealed that the work is so riotously funny, during a performance of the play on Broadway in 2009, she “actually peed my pants, and not just once.” Not exactly what we were expecting but it’s definitely something we can get on board with.
In light of this new information, this newly unveiled international poster makes a lot more sense boasting a vibrant color scheme and showcasing the complete range of the emotions of our leading thespians: Jodie Foster and John C. Reilly, who star as one of two “sets of Brooklyn parents who try — and fail — to be civil to one another after their tween sons get into a playground fight.” Winslet and Christoph Waltz play the other couple with the quartet taking on roles taken on by numerous acclaimed actors on the many interpretations of Reza’s play on stage—Jeff Daniels, Hope Davis, James Gandolfini and Marcia Gay Harden starred in a recent Broadway version.
Another piece of news the poster reveals is the fact Pedro Almodovar‘s regular collaborator Alberto Iglesias, who was previously reported to the composter for “Carnage,” has been replaced by Frenchman Alexandre Desplat, who has already seen his work on screen this year with “The Tree Of Life” and “Harry Potter And The Deathly Hallows – Part 2” and will return once again with George Clooney‘s “The Ides Of March” later this year.
A handful of new images, meanwhile, have also been unveiled for highly anticipated “Carnage,” which will premiere at the Venice Film Festival before opening the New York Film Festival. Sony Pictures Classic are yet to announce a release date but rest assured, an assault on the award season is likely being plotted. [IMPAwards/RopeOfSilicon/Allocine]
http://blogs.indiewire.com/theplaylist/a…._polanskis_car/
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Submitted by Kate Atherton on August 12, 2011
We were shown a selection of scenes that didn’t just highlight key stages of the ship’s journey towards the bottom of the sea, they also highlighted that, no matter how dark the action, state of the art, properly projected 3D delivers new depths to some very familiar scenes without any undesirable muddying.
I saw: Leonardo DiCaprio as Jack, dancing with Rose among the third class passengers; Jack’s greeting of Rose at the bottom of the grand staircase; Jack holding Rose at the very front of the ship as they fly through the seas; the dramatic scene as the crew of the ship do all they can to shift the Titanic away from the iceberg and, finally, the moments when the ship, in pieces, smashes into the black, cold sea.
I remember so vividly watching these scenes, and the rest of the film, in the theatres back in 1997. Back then, Cameron’s Titanic seemed to be heavy with original and awe-inspiring moments and, personally, I don’t think I’ve ever sobbed so much at the movies.
These new clips suggest a 3D reworking that has the potential to reopen all those old wounds and bring on the emotion afresh. No director is more associated with 3D than Cameron and, arguably, no director employs it as well. The scenes that we saw today illustrated how any criticisms that naysayers generally throw at 3D productions will fall flat with this film. Even the night scenes were clear, with no added darkness, and there was little, if any, additional blurring or streaking as Jack and Rose dance their way across the lower class decks.
The 3D is particularly effective during the grand camera sweeps across the ship, but also as the Titanic sinks. Shots of the massive ship in the background with the dark sea and its victims in the foreground were particularly striking, but even the gentler scenes seemed fresh and alive. We were told that Cameron had already taken over a year on this 3D adaptation, and there is still more time to come before its release.
You can be assured that when Titanic is re-released in 3D – and in 2D – on 6 April 2012, we will be presented with the very best that James Cameron can do. And that, I’m assured, will be excellent.
http://www.bleedingcool.com/2011/08/12/w….on-the-footage/
12 Aug via Instagram
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******
Just on a plane with Kate Winslet! And what! #firstclass
by @wigson22
12 Aug via Twitter for iPhone
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